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There are luxurious corners of Prague, the importance and function of which have changed considerably in history. One of these is Prague’s Ungelt or Týnský dvůr, a courtyard which once served a most important function.

Ungelt: Important Courtyard of Old Prague

Eva Ledecká
5. 5. 2017
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1 minute
Ungelt

Týnský dvůr, also called Ungelt, is located behind the Týn Cathedral between Týnská and Malá Štupartská streets. The origins of the compound date back to the 11th Century, when there was a fortified merchant’s yard with a church, lodge, pub and hospital. The courtyard also functioned as a customs house and centre of trade. 

A place that guarded trade

Every trader who brought goods to Prague had to report it at this location and pay a customs fee, which at the time was called “ungelt” – hence the name of this luxurious corner of Prague. The word “týnský” is derived from the word “otýněný”, which was an old Czech term for “enclosed”.

However, merchants also used the place to rest and enjoy evening entertainment during which nothing could go wrong, because weapons were not allowed past the gate.

Prodej secesní vily 530m², pozemek 946m²
Prodej secesní vily 530m², pozemek 946m², Praha 4

War, reconstruction and new function

Prague grew and trade flourished, but Ungelt was unable to cope. Týnský dvůr functioned as the city’s customs office until 1774, when the shape of the courtyard started to change. Shops, apartments, warehouses and offices were created. World War II had a very adverse impact on the place, and the necessary reconstructions after the war dragged on until the 1990’s.

Today, the place boasts repaired buildings, luxury restaurants and shops. Týn still creates the impression of a closed courtyard, although its gates are always open.

Luxury houses in renaissance, baroque and gothic style

The Ungelt compound now consists of 18 buildings. For instance, you can admire the beautifully painted renaissance Granovský Palace with an arcade loggia. The other buildings are also worth noting. Most of them are gothic with a modified, mainly baroque exterior. 

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Let us present animated artist Ian Cheng, whose love of technology has grown into an art.

Ian Cheng – Luxurious Art of Simulation

Mgr. Jana Höger
20.Apr 2017
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1 minute
Ian Cheng

Ian Cheng

Ian Cheng comes from Los Angeles, but he now lives in New York. In 2009 he concluded his studies of cognitive science at Columbia University, and then devoted himself to digital technologies. He was enchanted by animation as an incredible field of expression. Thanks to his scientific skills and interest in the field, he approaches animation as a medium and examines the abilities of human perception and behaviour. His work has been presented for instance at the Whitney Museum of American Art, Hirshhorn Museum, Migros Museum, MoMA PS1 and many more. 

What makes him exceptional

His work features a characteristic elements, that being the disruption of causality. He works with it and tests when the viewer is capable of connecting seemingly random action without reaction, or reaction without action. He uses the luxurious “motion-capture” technology, deliberately deforming obtained data, where instead of transferring the perfect movements of actors, he brings a chaotic tangle of movements into a virtual space. He also experiments with other possible technologies related to transferring information from the real world into the virtual one. For instance, he randomly shifts events forwards and backwards along a time axis, and works in the same way with objects in space.

Luxury simulations

Cheng promotes the idea of artistic form as “live simulation”. Unlike other art forms engaged in live simulation, Cheng builds on the endless duration and composition of algorithmically generated content, which together produces a certain impression.

Pronájem luxusní vily 7+1, Praha - Západ – 373
Pronájem luxusní vily 7+1, Praha - Západ – 373,

“Simulations were brought to realisation with the assumed aim of explaining the path of light or proving unknown facts, in order to allow work with various systems and their randomness. But Cheng’s live simulation differs in its aim, the purpose of which is to elevate your emotions, which you cannot influence,” says Ben Vickers, head of digitalisation at Serpentine Galleries.

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