If you’re not into bondage, our interview with Jakub Šesták, aka GNBY, will be a huge surprise for you. This man found his passion in bondage, whether with a sexual context or simply as a form of art. He is professionally engaged in the Japanese type of binding, called shibari. The following interview will be not only about his ability to bind the object in a manner that evokes emotions in the spectator, but also about his life with the label of a "sadist."
I was helping with the shooting of a student dissertation film. And I tripped while checking out the terrain where I was supposed to do bondage, jiggering my wrist a little.
How did you get to binding? Let’s be honest, it’s not completely normal according to the measures of today's society.
We’d have to go back to the period of puberty, when people find out whether or not they’re normal, it’s hard to say.
No, but only at a later age did I have a kind of internal coming out. I admitted to myself: “OK, you're not like an average person, you have slightly different sexual preferences. You should reflect on that in your life, because if you don't, you will be hurting yourself above all. ”
Freud says that human sexuality evolves somewhere between the second and third year. I don't really know where it came from, and I'm not going to wreck my brain over it. It is definitely not something to blame my parents for, because I had a wonderful, normal childhood filled with love. I don't know, it's simply in me.
When you realized this, it had a sexual subtext. That means you must hang out with like-minded people on a sexual level. Was it difficult to find your place in such a community?
I would say that the BDSM community is surprisingly responsible in this respect, there is not much danger there. Many people differentiate BDSM practices and view them as separate from sex. I personally call it mind sex. It is a game.
Define ordinary people. I don’t think that any person who listens to their body and has some kind of imagination needs to be deprived.
When I hear BDSM or bondage, I imagine a handcuffed person with a gag in their mouth, which doesn't seem to be entirely normal or comfortable. But your description of the practice as a game sounds completely different.
It's the same as in dance. There are many kinds of satisfaction to be found in the ropes, it can go in various directions, it can be gentle, harsh, painful, with subtle hints or sexual undertones. It’s all about where you decide to take it.
There’s a very funny story related to that. As a sound engineer, I was also a rigger, binding the sound system to scaffold construction. My friend got into shibari and started telling me about it. And one day I was standing on the platform, watching big loudspeakers being pulled up on a chain construction, and I thought to myself: I could do this with women.
It wasn't, because a friend told me about it. She’d already started doing it and it was with her that I began attending my first workshops.
Bondage is not so much about the process of binding, the game itself. It’s more about using ropes to tie someone to a bed or a table and subsequently having sex. Shibari is, in some ways, a substitute for sex, it is a complete experience without having to have sex.
There, of course, the degree of intimacy shifts to generally more decent levels. In private, it depends on how the rules are set.
For some, submitting is a liberating moment. Unfortunately I am one of the people who always strive to have control over themselves, so for me the feeling is a bit stressful. It's a lot about where, how and by whom I’m being bound.
The experience is different. I have a friend with whom we cooperate on a couple of projects off and on, which means that we sometimes do binding together. It's not as intimate as it is with a woman, but it can be interesting in a different sense. There is more sadism involved or more interaction in case there are spectators. In that way, a private intimate experience turns into a theatere performance, where two people are playing for the audience.
Shibari binding really looks like a theater performance, the human body is forced into various poses. Do you know in advance, which poses you’d like to achieve with the model?
Generally, yes. There are riggers who never technically stray away from what they have learned and how. My journey is a lot about experimenting, and often I don't have a fixed scheme of what direction it will take in advance. Not during a show, in those cases I have practised it and know what to do and how, because I have to fit within the time limit. But when I’m binding at home, I try to experiment, do things differently and avoid getting stuck in a stereotype.
Quite often I change the tether to make it more comfortable, because it's a tangled ball where everything is related to everything. If I change it often enough and carefully, the model doesn’t complain about pain. If I pay attention to it and don’t leave her in a rigid position for too long… Since the body shifts and rotates in the ropes, the points that are weighted change as well, and the pain gradually breaks down and becomes comfortable.
On your social networks, I have seen shibari in various environments where it really looks like a work of art, for instance at a pond. How do you manage to organize it when it's not taking place at home, in a confined space?
You need to have a bit of exhibitionism in yourself and a desire to make a good photo. When it actually comes to having a binding session outside, my photographic eye often comes to light - I want to have a beautiful shot. After some time, one can easily spot suitable places.
Even though I dislike Fifty Shades of Gray, I’ve never read or seen it, it’s doing some promotional work in this respect.
You’re not trying to hide this, although it may be an intimate topic for some people. How does your family and your surroundings react?
Fortunately, my family is free-minded, they don’t condemn it. On the contrary, I’m very grateful to them for their understanding and support in everything I do. When you’re doing something with enthusiasm, no matter what it is, success will come sooner or later, because a professional is essentially an amateur who never gave up. As far as the public is concerned, I would say that jaded individuals require others to see the world the way they see it it will always be among us. We can only pity them.
I do. Lack of understanding, or perhaps partly fear of the unknown, that I can understand. But those who condemn others I can only pity and hope that one day, they’ll find their inner peace and stop condemning others for what they’re doing.
I have no idea, I don’t feel the normal kind of pain that makes people go see a doctor, so it happens to me that I let a small problem grow into a big one.
No, it's not really a good thing if all your models are terminators. It is good to have one that is more sensitive, so that you could also practice more subtle approaches. It's not that I bind everyone the same way and they endure it.
That's a question for her rather than me, but I hope not. But my partner knows very well that it is not physically possible for her to do binding five, six times a week.
I did, I was even a member of a scout troop, but I never learned the Morse code. And believe it or not, I sucked at tying knots! Really.